Tuesday, June 2, 2009
The Spirit
I got a chance to see The Spirit, Frank Miller's adaptation of the Will Eisner comic last night, and it is thus far my favorite of the Frank Miller comic book adaptations. Or maybe I was just really prepared for all of the cheesy this time around.
I got to see the Miller/ Rodriguez adaptation of Miller's Sin City, and the Zach Snyder adaptation of Miller's 300 in that order over the past couple of years. I had thought, until I imdb'd the shit outta these films, that they were all directed by the same person and all written by Frank Miller. I guess I should pay more attention, but I will still compare and contrast the 3 films, as if they are sisters.
Sin City was great the first couple of times that I watched it, and there were definitely some haunting and creatively disturbing moments throughout, but the movie as a whole was dripping with too much drama. Parts of the film were so high-key and overemotional that it becomes uncomfortable to watch. I will always love Bruce Willis's performance, and some of the scenes are really artistically rendered. Miller's use of white is just so striking, and it really translates well to the big screen (see image of Mickey Rourke with totally badass band-aides to the left). Also that famous image of Marv sinking in the tar pit- completely badass.
The nice thing about The Spirit was that it incorporated a lot of that same beauty and high-contrast imagery without the melodrama. I think some people disliked it or critiqued it for being silly, but I think that is the right solution to these films. I would much rather that a film be silly-funny than painfully, awkwardly, unintentionally funny.
...Like the 300. Man, am I the only person on this planet that totally hated that movie? It sure took itself seriously. I just can't get on board with all the drama. The rock-music-slow-motion-kick-a-guy-into-a-huge-pit-garbage destroys anything beautiful in the film. Then the scene where that kid gets his head chopped off, but you can't really react to it or have any feelings about it because it is filmed in such ridiculous slow motion that you see it coming from 45 miles away. And, holy crap, that sex scene has GOT TO GO. Now, I am all about a well-done sex scene, but don't tease me with implied-sex tastefullness and then punch me in the face with royal doggy-style. I mean, seriously.
And don't get me wrong, The Spirit started like every other shitty superhero movie, with a 15 minute explanation as to how the hero's city is "like a woman, and i am her guardian, and she is not proud, but she needs me and I need her, and I live inside her, and she is a woman, like I said..." and on and on and on. But there is a grain of salt. Right there.
Samuel L Jackson does an amazing job of being an over-the-top super villian. The first fight scene between the Octopus (Samuel L) and the Spirit occurs in a giant mud puddle and involves all kinds of hilarious props like a huge anchor, the head of a dead guy, and a toilet. His costumes are many and various, full of fur coats and paste-on sideburns. Also, you get to see Eva Mendez's ass. That thing defies gravity.
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